Bright Light Bright Light is singer, songwriter, producer and DJ born in Wales, living in NYC and obsessed with pop culture, particularly from the 80s and 90s. Over the course of his 3 commercially released albums he's toured with Cher, Ellie Goulding and John Grant, and toured AND recorded with Sir Elton John, Scissor Sisters and Erasure. He's an avid record collector, DJing pop obscurities he finds on his vinyl treasure hunts at his weekly DJ sets (online on Twitch.tv/brightlightx2 at the moment) that have been praised by Time Out NY. Equally inspired by 80s/90s movies and artists like Kate Bush, Björk, Ace Of Base, Max Richter and Pointer Sisters, he's a music geek at heart, and a renowned artist on stage, currently the first and only unsigned (he runs his own label) artist to perform on Graham Norton's BBC One TV Show.  

Keith Urban will release his brand new studio album on September 18th worldwide. The album will include his current hit single “God Whispered Your Name” as well as the #2 smash hit-“We Were”. Keith won the CMA Entertainer Of The Year in 2018 and he is currently the 2019 ACM Entertainer Of The Year. Keith will be hosting the ACM Awards on Wednesday-September 16th while will air on ABC-TV. “In October 2019 this album title came to me. I liked it because I felt like life was flying by so fast. But music (for me) has always been the place where it slows down and doesn’t even exist. I would never have imagined that, in 2020, this album title would take on a whole new meaning.” - Keith

2020 release, the seventh studio release from the R&B superstar. Alicia features the singles "Show Me Love", "Time Machine", and "Underdog".

CD Version comes with a bonus track - Jamie lee Curtis reading her children's story 'Today I Feel Silly'. A follow up to 2009's GRAMMY Winning Family Time - Ziggy has bottled the energy of his children and put it into music form! This is a very special piece and have a number of friends guesting on this album, including: Stephen Marley, Sheryl Crow, Ben Harper, Angelique Kidjo, Alanis Morissette, Tom Morello, Lisa Loeb, Busta Rhymes and Jamie Lee Curtis (reading her new book Today I Feel Silly). A portion of proceeds will benefit Ziggy's 501(c)3 URGE - which supports the education, social development and overall well being of the Chepstow Primary School and the One Love Youth Camp, both in Jamaica.

Charli XCX’s ‘how i’m feeling now’ is a completely unique project. Written, recorded and released in quarantine due to the COVID-19 pandemic, the album invites collaboration in a new way, as fans were welcomed to give feedback on every aspect of the record; from contributing to videos, to songwriting choices, to single selection and more.

Vinyl LP pressing. 2020 release. Between You And Me is the fourth album by the indie trio San Cisco, from Fremantle in Western Australia, town of sun-baked sandstone and sea breezes. It's an album two years and at least one sadly remembered love affair in the making. Between You and Me finds the childhood friends' open-hearted/ good times chemistry distilled to it's essence. Nearly 10 years since those first EPs, ARIA nominations and early US and UK inroads, San Cisco have made their most painstaking album sound effortless.

Acclaimed singer/songwriter Joan Osborne is back with Trouble & Strife (Womanly Hips Records), her first album of original material in six years. Osborne self-produced the new collection and penned all ten songs, with two co-writes. Trouble & Strife finds the gifted vocalist offering a strong yet uplifting response to some of the socio-political issues plaguing our nation over the last several years. Osborne beautifully balances the weight of her messages with solace and optimism.

The album opens with the inspiring “Take It Anyway That I Can Get”, a soulful calling to brazenly live life to the fullest.  “Hand’s Off” is a visceral reaction to the unchecked corruption that is happening before our eyes, while on “That Was A Lie” Osborne takes on the acceptance of misinformation and how it has been weaponized and normalized. Driven by an infectious 1970’s synth riff, “Never Get Tired (Of Loving You)” features a heartfelt message of reassurance for her teenaged daughter during unstable times. Osborne offers a comforting song of hope on the beautiful lullaby, ”Whole Wide World” as she sings, “We could see the whole wide world from here, Lookin’ past the sorrow and the tears, Let me take you to that better place, Let me put that smile back on your face.”

On one of the album’s most important songs, “What’s That You Say” Osborne focuses on immigration and the plight of Ana Marie Rea.  Rea spoke in-depth with Osborne about and the difficulties she and her family faced when coming to America from Mexico seeking asylum, and the challenges since. Rea’s words can be heard throughout the powerful song, spoken in her native tongue.

Throughout her 25-year, multi-Grammy nominated career, Joan Osborne has never been an artist confined to one space. She has utilized her incredible voice through her own songs while also becoming one of her generation’s finest interpreters. Osborne has shared the stage with artists ranging from Stevie Wonder and Mavis Staples to Bob Dylan and Lucinda Williams and she continues to seamlessly blend into any genre. On Trouble & Strife, her tenth studio album, the need for her voice and words has never been stronger.

Maroon Vinyl. On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. Written by Anjimile Chithambo (he/him, they/them), in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman, the album grapples with sobriety; reconciling trans identity, spirituality, and religious upbringing; and forging gracious new futures that honor complex histories. Giver Taker's evocative pastoral ballads, warm pop songs, and epic choirs owe their heritage to influences ranging from Sufjan Stevens, Madonna, Ladysmith Black Mambazo, and The Lion King, all reshaped in Anjimile's vision to invite listeners into the album's vulnerable, generous worlds.

#KingButch—hashtag proudly attached—is the title of Butcher Brown’s tenth album in the band’s up-from-the-roots legacy, and their first with Concord Records, on the Concord Jazz imprint. The 13 tracks collectively represent a bold step forward for the 5-piece group from Richmond, Virginia. Remaining true to the group’s heady fusion of contemporary hip-hop, ‘70s fusion, ‘60s jazz and funk—even echoes of Southern rock and marching band music show up—#KingButch is a powerfully original statement that reaches across divisions of genre, generation, ethnicity, and geography. Significantly, the new recording also reveals a side of Butcher Brown that’s been developing and is now in full-flower: a song-crafting, studio maturity on a par with their national reputation as an explosive live act.

"Live at the Roundhouse” is unlike any other concert film connected with Pink Floyd. It’s the nearest thing you can get to a time machine, transporting you back to the very earliest days of the band. Nick Mason, the only band member to have played on all of Pink Floyd’s studio albums, returns to the group's earliest records, joined in the line-up by Gary Kemp, Guy Pratt, Lee Harris and Dom Beken.

Nick Mason’s Saucerful of Secrets took the drummer back to clubs for the first time in 1967, then to theatres, across the UK, North America and Europe, playing only music his old band had recorded before The Dark Side of the Moon.

Captured from the band’s celebrated shows at London’s Roundhouse, where Pink Floyd played some of their most revered early shows in the 1960s, this release features a uniquely thrilling setlist including songs hailing from Syd Barrett’s time with the band. Only four songs from this eclectic roster have ever previously appeared on official live releases by Pink Floyd or its members. Everything else is being experienced for the first time since their original live performances.

Witness the ever-changing, ever-mutating threat that is reality. Perception is under duress; sensibility is bending everyday under the barrage of nonsense. One must make note of whom one is and what one has become: look into the mirror of the planet-killers-psychic cannibals infiltrate and contaminate once familiar and seemingly secure territories... formidable foes indeed! What powers these beasts? What fuels discord and hatred? The behemoth of a "civil" society? What are the weapons at one's disposal? Generosity is the aegis against greed, empathy is the armor to deflect apathy, love is the club to abate hate... The fog is lifting and humans are opening their eyes. And so Castle Face offers this field recording, the Osees Protean Threat, from the pits as a quick booster between protein pills and recycled sweat beverage anthems to assist the listener to not worship at the altar of violence and greed, to not offer oneself up for free, to stand up and be vigilant! Truth will not be found in the speeches and photo ops of the overlords- stand strong and together under the gaze of the oppressors. Stand vigilant, united with those who don't have the same privileges. Demand respect and a peaceful life for all. This recording is at the apogee of scuzz-punk anthem amulets for the ears and heart, a battery for one's core. Be strong. Be human. Be love.

Cults were deep into the process of recording their fourth full-length LP when singer Madeline Follin let a secret slip. At the time, it seemed inconsequential, just a passing comment amongst friends, but in the end, it would prove to be a monumental revelation, one that would change the acclaimed New York duo forever. "In the past, I'd never brought my own music to the table because I was just too shy," says Follin, "but at some point during the sessions, I mentioned that I'd been writing some songs on the side, and our producer, Shane Stoneback, asked me to share them." "When Shane and I heard what Madeline had written, we couldn't believe it," says multi-instrumentalist/singer Brian Oblivion. "The music just floored us." What followed was a radical reimagining, both of the band's sound and it's dynamic, and the result is Cults' utterly mesmerizing new album, 'Host.' Written more collaboratively than ever before and recorded primarily with live instruments for the first time, the collection marks the start of a bold new chapter for the band, one fueled by an ever-deepening trust and a boundless appetite for growth and experimentation. The songs here are deceptively charming, with lush, airy arrangements that belie their dark, weighty lyrics, and the production is rich and multifaceted to match, blending retro and futuristic palettes into a spellbinding swirl of high-def indie rock and lo-fi bedroom pop. As it's title suggests, 'Host' is an exploration of the sinister dynamics at play in a parasitic relationship, but rather than dwell in the discomfort, the record charts a cathartic journey towards freedom and self-reliance, reveling in the power that comes from standing your ground and declaring independence in the face of exploitation and manipulation. "Writing these songs helped me learn to be okay with putting myself out there, with having the confidence to express what I want and what I won't accept when it comes to personal relationships," says Follin. "In a funny sort of way, the music helped me find my voice in the band, too."

Ace Frehley, a 2014 Rock and Roll Hall of Fame inductee, continues his reflections on a lifetime in music with “Origins, Vol. 2.” No stranger to cover versions throughout his musical history — having recorded, rebranded and repossessed such notable nuggets as “New York Groove,” “Do Ya” and “I Wanna Go Back” over the course of his eight previous studio efforts — this new collection presents a thoughtful and exciting selection of songs that inspired and helped shape the legendary guitarist. Foremost of importance to the original Spaceman is delivering an album his fans will enjoy, but one where every song also has a place in his life’s jukebox.

As the second volume focusing on his musical origins, Ace has also grown since “Origins, Vol. 1” was released in April 2016. That album hit #23 on the Billboard Top200 charts becoming his 4th top-40 and second highest charting solo album — and there’s no questioning Ace’s productivity with this album being his fifth recorded work in a decade! Ace chuckles, “Since I had one covers album under my belt, the process of doing ‘Origins, Vol. 2’ was easier because I had put together a formula, picking guest stars and so-on.” The challenge for him was to put a suitable personal stamp on the material, and “Origins, Vol.

Originally released in March 1975, Young Americans was David Bowie’s ninth studio album. To celebrate its 45th anniversary, Parlophone is proud to announce a special limited edition "brick and mortar" exclusive gold vinyl edition of the album. Young Americans was a huge departure for Bowie, creating a sound duringsessions in Philadelphia and New Yorkthat hedescribedas“Plastic Soul.”The album's two hit singles, the title track and the John Lennon co-write“Fame,”are viewed as amongst Bowie's very best with the latter giving him his first US #1.

Lead single “Young Neanderthal” heralds Jealous of the Birds’ eagerly awaited new album, PENINSULA, due via Canvasback/Atlantic on Friday, September 18. Along with David Wrench (The XX , David Byrne)  the album was produced by Marta Salogni (Björk, Anna Meredith, Georgia Ruth).

Vinyl LP pressing. The All-American Rejects is the self-titled debut studio album by American rock band The All-American Rejects, originally released October 15, 2002 by Doghouse Records. Now back in print on original black vinyl.