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Formats and Editions
1. Monster Council and She Goes Under Under
2. March in Ocean and Falling Asleep
3. Entrance Itako- Bridge
4. Myth in Fingers
5. Teacher
6. Exercize
7. Prepare the Orchestra
8. Itako Farewell March
9. Pre-Step
10. Bridge/Post Itako, Waiting For Yulaya
11. Song of Yulayo
12. White Race Blankets
13. March in Snow
14. Meta Winter in Her Eye
15. Flag Conv. In Her Eye
16. Words of Twinsy in Her Eye
17. Her Jewels
18. Some Walk Ink
19. Golden Nails
20. First Time Fusion
21. Over the Wrist: Foretelling in the Bar
22. Bridge: Towards Herby
1. Size and Tears
2. Aick
3. Easy Ryder
4. Kiklebel
5. Aick Plays Miami For Kids
6. Possessing-Losing Snow March
7. Popeka Exits
8. Bed-A.K.A. Proposal
9. Scill Disco vs. Bermuda
10. Thinking March
11. Goledene Mom
12. Silent Flow (Ag. Cooper)
13. She Would Run
14. Bridge: Death of Aick
15. Calling Herby Sugga Delta
16. Beam Plaster
17. Jardin-Black Box of Herby
18. Slide in Strangers Night
19. Burns Elsewhere
20. Trees Too
21. Pleasure in Locked Rooms
22. Bridge: Next Door
23. Twinsy About What's Left Behind
24. Twinsy Lullaby
25. Mice March Over the Bridge
26. Bridge to Size and Tears
More Info:
TBA is Tbilisi, Georgia-based Goslab member Natalie Beridze, and this is her third full-length release on the Max Ernst label. Size and Tears is an ambitious double CD that runs for over two hours, describing an entire arc of a whole universe. This is a journey through the looking glass - a private trip where raves meet molecular subordination and conditional solutions. It rather stands on the side of Proust, who once said, "... The earth, draped in it's verdant cloak, makes as little impression upon me as a ghost. It is living and ceasing to live which are imaginary solutions." Sometimes one gets sick of the cultivated level of mediocrity of the modern product, from the peace it brings, from it's boring cosmopolitan suitability, and fulfilling of expectations. Opposed to it, Size and Tears is maybe too wrong and too dreamy, but there is no other way to make it comprehensive. It's like landing in Rio in extremely stormy conditions, without knowing if you will land safely or not. This project is just another moment of intimacy from which one blushes, an easy rider of the vulgarly divine utopia. Produced in collaboration with Thomas Brinkman.back to top