During the height of it's popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and trombone. For this project Bruce Dickey and Hana Blazíková take the image of angel musicians as a point of departure for an aural journey ranging from 1600 to the present day. From sacred monodies and motets of the early 1600s to opera arias from the end of the century, via a brief diversion to Erik Satie, we arrive at two specially commissioned contemporary works, all the while focusing on the angelic and radiant pairing of the cornetto with the human voice.
During the height of it's popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and trombone. For this project Bruce Dickey and Hana Blazíková take the image of angel musicians as a point of departure for an aural journey ranging from 1600 to the present day. From sacred monodies and motets of the early 1600s to opera arias from the end of the century, via a brief diversion to Erik Satie, we arrive at two specially commissioned contemporary works, all the while focusing on the angelic and radiant pairing of the cornetto with the human voice.
5425004840912

Details

Format: CD
Label: PASS
Rel. Date: 03/19/2021
UPC: 5425004840912

On the Breath of Angels
Artist: Bruce Dickey
Format: CD
New: Available $18.99
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CD
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DISC: 1
MP3
1. Panis Angelicus (Toccata E Mottetto)
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2. Sicut Sponsus Matris
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3. Mater Jerusalem
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4. Angelus Domini (Instrumental Version - Diminutions By Bruce Dickey)
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5. Videte Miraculum - Mottetto Concertato A 3 (From "Novi Concentus Ecclesiastici E Liber Secundus Sacrorum Concentuum",
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6. Sonata A 3 (From "Vespro Della Beata Vergine", 1656)
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7. O Quam Suavis (From "Motetti A Voce Sola De Diuersi Eccelentissimi Autori Nouamente Stampati, Libro 1", Venezia 1645)
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8. The Vision Of The Archangels
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9. Il Trionfo Di Camilla: Sinfonia (Grave - Presto)
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10. Il Trionfo Di Camilla, Act 1 Scene 2: "Se Ninfa O Dea Tu Sei" (Prenesto) (Version With Cornetto)
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11. Il Trionfo Di Camilla, Act 3 Scene 5: "È Pur Ver Ch’a Soffrir" (Camilla) (Version With Cornetto)
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12. Il Trionfo Di Camilla, Act 3 Scene 13: "Tutte Armate" (Prenesto)
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13. 3 Mélodies, Ies 33: I. Les Anges, "Vêtus De Blancs, Dans L'azur Clair" (Lent) (Version With Theorbo)
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14. O Archangels And Angels
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15. Sonata Da Chiesa In A Major, Op. 6 No. 5: Largo E Affetuoso - Adagio - Allegro (From "Sonate Da Chiesa A Due Violini Opera
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16. Comodo Antonino: "Coronato Di Lauri" (Antonino)
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17. Comodo Antonino: "Cara E Dolce Rimembranza" (Antonino)
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18. Comodo Antonino: "Il Desio Di Vendicarmi" (Pompeiano) (Version With Cornetto And Violin)
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During the height of it's popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and trombone. For this project Bruce Dickey and Hana Blazíková take the image of angel musicians as a point of departure for an aural journey ranging from 1600 to the present day. From sacred monodies and motets of the early 1600s to opera arias from the end of the century, via a brief diversion to Erik Satie, we arrive at two specially commissioned contemporary works, all the while focusing on the angelic and radiant pairing of the cornetto with the human voice.

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